Reviewed by David Bain

Strongly spoken lyrics and raw beats combine to make this the strongest album yet for The Blessed Man. Birthed from an intense prison ministry, this album hits hard with messages against drugs and racism. It’s not all tough though. The heavier raps are interspersed with party numbers, celebrating “God’s ways” and chilled songs about prayer. The Blessed Man has done well on collaborating with innovative producers such as The Mantis, Super D-Lux and Ibe. There is a clever use of melodic hooks and excellent vocal harmonies from Paladino and Lisa T. This all makes a bouncy and likable album. However, some of the tracks can get a bit repetitious and Blessed Man’s rapping style could do with some variation. And do we really need jarring intermissions and track introductions? Putting these finer details aside though, The Blessed Man is becoming a well known name in London and around the country, receiving positive feedback from both Christian and secular organisations. His important work in prisons and desire to bring an alternatively positive message to rap music gives this album weight and maturity. A talented release from a rising voice in UK hip-hop.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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