Reviewed by Tony Cummings

The thing about Word letting Europe have three years or more of Brentwood Music releases in one tidal wave of albums is that it creates the impression that the American Christian music world is concerned about nothing other than purveying endless inspirational muzak. In fact, this 1988 album, following up Mr Marsh's successful 1987 one, is formula arrangements of hymns, mostly arranged in medleys where panpipes are the lead instrument and where lush violins fill in to create a peaceful, though deadly soporific sound. Very, very dull.

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