Simon Dillon gives his opinion
Continued from page 1
Best Editing: Alfonso Cuaron, Mark Sanger (Gravity) - A no-brainer.
Best Production Design: Cathering Martin, Beverly Dunn (The Great Gatsby) - Actually, I'd have given this to The Hobbit: The Desolation of Smaug. But Gatsby looked great too, and it's great that the most unfairly critically mauled mainstream film of last year actually won something.
Best Sound Editing: Glenn Freemantle (Gravity) - A no-brainer (although All is Lost was another very worthy contender).
Best Sound Mixing: Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro (Gravity) - See above really.
Best Visual Effects: Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny (Gravity) - Yet another Gravity no-brainer. In fact, the most no-brainer no-brainer of all the awards Gravity won.
Best Foreign Film: The Great Beauty (Italy) - A decent win from a slightly odd selection of nominees (Denmark's The Hunt was released later in the US than in the UK, hence why it was nominated).
Best Documentary Feature: 20 Feet From Stardom - I've not seen this, but I'm very surprised The Act of Killing did not win.
One last quibble: Generally I was pleased the good but overrated American Hustle went away empty handed, but it should have won at least one award: Make-up and Hairstyling, as it contained the most monumental, landmark comb-over in cinema history. Shockingly it wasn't even nominated in that category, but I suppose since the Academy got so much else right this year, I'll add my congratulations to Adruitha Lee and Robin Matthews who won for Dallas Buyers Club.
Overall, I expect this year to be a blip in the Academy's long and
proud record of outright injustices. I look forward to a far more
vitriolic rant next year, when I expect business as usual at the
Oscars. ![]()
Simon Dillon was born the year Steven Spielberg made moviegoers terrified of sharks He loves books and films, writing the former and reviewing the latter. His novels include Peaceful Quiet Lives, Children of the Folded Valley, Spectre of Springwell Forest, and Uncle Flynn. Simon is a fully committed Christian, but doesn’t like to “identify” with any particular denomination. He doesn’t do hugs, and generally prefers moody, sombre Gregorian chants to bouncier Christian music (with a few exceptions). In his reviews, he isn’t interested in counting f-words and miniskirts, but he attempts to unpack the message of the film, with faith issues in mind.

A quick postscript: I realise Cate Blanchett won an Oscar for The Aviator, but that was a supporting role. What I meant by what I said above was I had been waiting for the Best Actress win since I saw the film last autumn. Should have worded it better really...