Tenebrae, Nigel Short - A Prayer For Deliverance

Published Friday 27th June 2025
Tenebrae, Nigel Short - A Prayer For Deliverance
Tenebrae, Nigel Short - A Prayer For Deliverance

STYLE: Choral
RATING 10 10 10 10 10 10 10 10 10 10
OUR PRODUCT CODE: 183615-
LABEL: Signum Classics SIGCD880
FORMAT: CD

Reviewed by Steven Whitehead

For a reviewer to be lost for words is never a good thing but the quality of the a cappella singing on this set by the renowned choir Tenebrae is truly superlative in all departments: soloists, group harmony and dynamics, as well as the crystal-clear acoustic in a live recording at Ampleforth Abbey. Mixing iconic choral works with music by some of today's most exciting composers, this varied programme is centred around themes of rest. Joel Thompson's virtuosic new work is a particular highlight: written in 15 parts, 'A Prayer For Deliverance' perfectly showcases Tenebrae's core values of passion and precision and the composer's message arising from the horrific events that led to the Black Lives Matter movement is one that needs to be heard loud and clear. In Tenebrae Joel Thompson has found a worthy advocate for his heartfelt composition. The second half of the programme features Herbert Howells' 'Requiem', one of the most moving works in the English choral repertoire. But here lies the 'but': but many lovers of choral singing may well have Howells' 'Requiem' in their collection, along with some other very worthwhile pieces such as Tavener's 'Song For Athene' or Sullivan's 'The Long Day Closes'. All well worth hearing and all sung with real belief by Tenebrae but all already in my collection. However - always a more positive conjunction that a 'but' - however the less established works in this collection all stand comparison with the greats referred to above. For example, Caroline Shaw (born in 1982) won a Pullitzer Prize in 2013, becoming the youngest composer to do so. Her "And The Swallow" is a setting of Psalm 84 and will surely become a classic in the not-too-distant future. Taken as a whole, the mixture of beloved favourites and brave new compositions makes this an essential project for all who appreciate a cappella music.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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